Odds-N-Ends

The Wall

A brief introduction to sports

A brief introduction to sports

Bowling: roll a large ball with holes for your fingers down a wooden path so that it hits a flock of penguin statues.

Cricket: things happen, over a period of hours, only occasionally being interrupted by somebody throwing a ball at someone who has a narrow oar. Somewhere along the line, a little piece of wood is knocked off of three wood sticks poked into the ground. The audience applauds occasionally to cover up the fact that they’re embarrassed that they have no idea what’s going on, and never will.

Football, American: people run around on a field with lines drawn on it while a carrying an oblong ball while others mob them along the way. Only occasionally is the oblong ball kicked with the players feet toward a gigantic fork.

Football, a.k.a. soccer: people kick a ball toward a net the size of a Mercedes Unimog.

Basketball: people run around bouncing a ball until they’re close enough to throw it into a little net hung up against the wall. Other people try to stop that from happening. You have to wear shoes that squeak a lot.

Hockey: teams of thugs skate around carrying a long, L shaped club, getting into fights. Occasionally, one of the thugs uses the L shaped club to whack a rubber disc into a net the size of a Volkswagen Beetle.

Curling: somebody takes a polished stone with a handle on it and scoots it toward a mark on ice, while janitors use their brooms, scrubbing the ice to try to influence where the stone moves. The stone is the most intelligent player in the sport.

Baseball: people run around in a field toward arbitrary spots known as bases while somebody throws a ball at another person holding a stick. The person holding the stick has to whack the ball so that it flies out of the field.

Handball: people throw a rubber ball against a wall and try to catch the ricochet, whacking the ricocheting ball with their hand toward the wall again, until they break their hand or collapse from exhaustion.

Ping-pong: people whack a little plastic ball using small wooden paddles across a net stretched across a cheap green table toward each other until somebody misses.

Tennis: people whack a fuzzy ball using paddles made from nets, known as rackets, across a net stretched across green pavement toward each other until somebody misses. When you see the price of the paddles made from nets, you will know why it’s known as a racket.

A Happening

I overslept, so I was late getting ready for my dinner with Owatta Fox. We were going to hear her favorite band, which had been my favorite band years ago. I can still remember how that music used to make me smile. It’s what inspired me to become a DJ, learn how to work on audio equipment. And, I knew if I had my chance that I could make those people dance, and maybe they'd be happy for a while.

I reminisced about those days of my childhood when I first heard the music. To earn some extra money, because my parents couldn’t afford to give me an allowance, I was a paperboy in my neighborhood. It was a fun job, running around the neighborhood on my bicycle during the spring and summer. But those cold days in January and February made me shiver with every paper I’d deliver.

In those times, the newspapers were quite sensational. We paper boys had a motto, “Bad news on the doorstep.”

One day, my bicycle broke. There wasn’t any money to fix it. So, I had to walk the neighborhood to deliver newspapers. By the end of the day, I couldn’t take one more step. My feet would ache so badly, I can’t remember if I cried.

All the bad news, all the sensational headlines can make you cynical. Then one day, our neighbor was killed during a 7-11 robbery. Obviously, if it bleeds it leads, and the newspapers raced to print the most lurid accounts of the tragedy. When I read about his widowed bride, something touched me deep inside.

I suddenly shook myself from my morbid reveries. Time is wasting. I have to go. If I’m late for my date, for me this will be the day the music died.

So, I went to grab my jacket to walk out the door when I made the awful discovery. I didn’t have my jacket. The tickets were inside the jacket. I didn’t have the tickets! Oh no, where was I when I left my jacket?

It had to have been at McGillicuddy‘s deli just up the street. I got in my car, and raced up to McGillicuddy‘s.

I walked in, just in time to hear old McGillicuddy himself say to an attractive young woman, “Bye, bye Miss!” She walked past me, and out the door. McGillicuddy looked up, noticed me, and asked, “American Pie? I’ve got a fresh slice just waiting for you, Nick.” McGillicuddy called apple pie American pie. I always got a kick out of that.

“Sure. Cup of joe too. Say, have you seen my jacket? I think I left it here yesterday. Gotta have it, I’ve got concert tickets.”

“Nope. Didn’t see it on you yesterday. But, you be out to the reservoir takin’ photographs. Maybe left it out there? Gotta hot date with that Owatta, yes? Treat that girl right, you won’t find another one.”

“'Gilly, you’re so right. Have ta run, catch you tomorrow.” Hmm. I was doing a photo essay on the fishermen down at the reservoir. Maybe I did leave my jacket with one of the food trucks. More likely the hotdog truck, we’d struck up a friendship over photography.

So, I drove my Chevy to the levee but the levee was dry. No Fishermen, no food trucks. OK, this wasn’t starting out to be a good morning. Where else did I go yesterday?

The Last Call Bar was one of my service calls yesterday. Their jukebox was broken. That had been a major job, because I changed out the records at at the same time. 300. Meant changing the title cards too. That has to of been it, I must’ve left my jacket when I was working on the jukebox.

I walked in to see two elegant women dressed in evening gowns, looking completely out of place, and them good ole boys. Loud singing and carousing filled the air as they were drinking whiskey and rye.

I smiled, thinking that the jukebox wasn’t making the owner much money right now. The group was three sheets to the wind, singin’ some depressing trail song that went something like, “this’ll be the day that I die. This’ll be the day that I die.”

A quick inquiry with the barkeeper, and I was out of luck again. They haven’t seen my jacket either.

I had better call the office to let them know I wasn’t going to be in today. As I stepped in to the phone booth to use the payphone, I realized that the loud atmosphere would put the lie to what I was going to tell the manager. So I stepped out, and went next-door to Saul’s Second Chance pawnshop.

Saul was at the counter instead of Manny, and he called out at me with his usual enthusiasm, “Hey Nick. Busy day? Say, we got that box of parts you were looking for in the back. Here to pick them up?”

I’d forgotten about the parts order. “Yeah, thanks for finding them. How much do I owe you?

“Slip me a fin and we’re square. Say, a guy from Cinequip is bringing two skunks and an eight ball in. You interested? Give you the lot for two-hundred.”

“Love to. But. Can’t do it, I’m short this month,” I replied.

“Helluva deal, they come with A95s. Tell you what, you’re a good steady customer. One fifty takes it,” Saul said in that classic pitchman voice.

“Tempting. But Owatta doesn’t like it when I bring home strays,” I said, putting on my best imitation of being henpecked.

“Nick, Nick, you know how I hate my storeroom cluttered up. You gotta take ‘em, the box will sit there forever. C note and they’re yours. Just tuck ‘em away in a back corner, she’ll never know. Hey, they all look alike, no? Fuhgeddaboudit, can’t have too many, eh?”

“Okay, okay, don’t break my heart. Can’t bear to see an old man suffer. I’ll be in the area tomorrow, I’ll swing by. Mid-afternoon, maybe two-ish.”

We shook hands, and laughed. You could hear Saul’s laugh for miles, a goodnatured laugh.

“Can I borrow your phone, Saul? Gotta call the office.”

“Sure, sure.” Saul chuckled, “So I hear you’re taking that pretty filly of yours out to the concert tonight. Playing hooky, right?”

“You got me. Never could put anything past you.” I handed him $5.00 for the parts. Then, leaning over the counter, I picked up his phone, turned it around and dialed. This was one of those older black Bakelite desk phones, and its rotary dial was stiff. The receiver purred three times then Jake’s brash Bronx voice answered.

“Jake, it’s Nick. The day’s getting away from me, don’t think I’ll make it into the office today. I’ll be in tomorrow, though.” I held the phone’s receiver away from my ear as Jake railed the usual threats of firing me. “Yeah, sorry, I know it’s not a good time, but I’ll be in tomorrow, for sure.”

Swiftly, and smoothly, I hung up. I’m sure Jake continued to scream for several more minutes before he realized that the phone had been hung up on him. Oh well, I’d rather face Jake than disappoint Owotta.

“Say, you haven’t seen my jacket, have you?” No, he hadn’t, and I didn’t expect him to, but it was worth a try.

OK, well, this was getting worse. Where else was I yesterday? Oh great, I remember now, The Full Life Church Of Divine Peace. I’ve been working on their PA system. Well, the day couldn’t get any worse, I may as well stop by and look for my jacket. Problem was that was completely across town, and time is running out.

Pulling into the parking lot, and walking into the church, I was just in time to hear Pastor Masters practicing his next sermon. “Did you write the book of love? And do you have faith in God above if the Bible tells you so?” He paused for dramatic effect. “Do you believe in rock and roll? Can music save your mortal soul?”

“Yes,” I thought to myself, “and can you teach me how to dance real slow?” It made as much sense as what he was saying. I quietly left, and went down the hall to the office. Barbara would have a better idea of what’s going on than the pastor.

Barbara was at her desk, hands dancing across the typewriter, but paying attention to a photo of a handsome man on the wall. I knew what was going on, and I hated to see Barbara in a mood like this. I cleared my throat, and said to her, “Well, I know that you’re in love with him, “Cause I saw you dancin’ in the gym. You both kicked off your shoes.” Barbara blushed, and muttered something about her just being tired and having eyestrain.

I turned on the radio to local station to break the mood. “Man, I dig those rhythm and blues,” I said to Barbara, before asking whether she had seen my jacket. No. Great. Struck out again.

Walking past the door to the sanctuary, I heard Pastor Masters continue his fire and brimstone sermon. “I was a lonely teenage broncin’ buck, With a pink carnation and a pickup truck. But I knew I was out of luck, the day the music died.”

Went out to my car, and just sat. Wasn’t just the concert, it was our 10th anniversary. Now, for ten years we’ve been on our own. Our own little house and had once been a grinding mill, just on the edge of a scenic woods. We were both so busy, we tend to let things grow for themselves. that meant tall grass, thick weeds, and moss grows fat on a rolling stone.

But, that’s not how it used to be. Started out, the typical suburbanites, living in a duplex. But we wanted better, wanted to get away from it all. And we did.

My first job was with the PBS station locally. Some of the programming was meant to be quite high brow, but frankly, some of it was just plain weird. Like King Of Games, which was supposed to be some sort of medieval, King Arthur saga to teach history to young kids. It was a really strange show.

Each episode would began with a scene when the jester sang for the king and queen, In a coat he borrowed from James Dean. How they managed to work a ‘50s pop idol into the plot I could never figure out. It wasn’t the most weird part of the show, though.

The narrator would start out his monologue with, “And a voice that came from you and me.” I think it was supposed to motivate the kids to pay attention. Somehow I doubt any of them did.

“So while the king was looking down, The jester stole his thorny crown...”

It was the last episode I worked on, I quit, that show was just killing my sanity.

The show was so bad that, in point of fact, the producer was arrested for crimes against humanity. It was the trial of the century, its proceedings lasting for months. But finally the trial came to an end. The courtroom was adjourned. No verdict was returned.

But I jarred myself back to reality. I still have not found my jacket, and the day was fleeting. I had to take a moment, rest my mind, and try to think. So, I stepped out of my car, and sat down on a bench in that park where famous musicians hung out. I was listening to the transistor radio in my pocket, and, while Lennon read a book on Marx, I read a billboard that gave me inspiration for a plan.

But just as I was about to crystallize the idea in my mind, I discovered I couldn’t think with that conflict of the sound of music in my earphone and the background noise because the quartet practiced in the park.

I got up, and went over to speak to one of the musicians while they were on a break. I asked him if they enjoyed playing in the park. “Yes, because yesterday we had to play in a tunnel and we sang dirges in the dark. It was a real bummer. Playing in the park seems like a breath of fresh air.”

This was getting me nowhere. I have to find my jacket, because the hour would soon be upon me. And the heat was not helping.

My day had become helter skelter in a summer swelter. This weather tended to bring out extreme reactions from everyone, and everything. Like the birds. The birds flew off with a fallout shelter. They wanted to use it to cool off in.

My stomach rumbling brought my attention to the fact I’ve been running all morning, and it was past time for lunch. So, I stopped in to the diner that I Saul just up the street from where I was parked.

As I walked in, the television on the corner was blaring one of those PBS cold war documentaries. You know the kind, hosted by Walter Cronkite, with interviews of people who were there cut in between old film footage. Apparently, the episode was about the incident when Gary Powers was shot down flying is U-2 spy plane over the Soviet Union. “Eight miles high and falling fast, It landed foul on the grass.” Then a subtitled interview with some Russian army officer. Manatt the table nearest the television, got up and switched the channels.

Football game. I was too far away to see who was playing. It must’ve been a college football game. Or maybe Army Versus Navy. The players tried for a forward pass With the jester on the sidelines in a cast. This was followed by a commercial for Camel cigarettes, the AMC Pacer, and that one with all the people singing that they’d like to teach the world to sing in perfect harmony— and have a Coke.

Now the half-time air was sweet perfume While sergeants played a marching tune. Definitely Army versus Navy game. Everyone in the diner was rooting for Navy because when they scored a touchdown, We all got up to dance.

You think this would have been quite the celebration, but Oh, but we never got the chance ‘Cause the players tried to take the field for the next play, but couldn’t. It was the then of the American Federation of Musicians decided to strike. The marching band refused to yield to the employers contract and stood out across the gridiron. So that ended the game for the day.

Do you recall what was revealed afterward? I could not. But Oh, and there we were all in one place. One man complained about the interruption being a symptom of the musicians being from A generation lost in space.
With no time left to start again the game was canceled.

I finished my cheeseburger, french fries, and Dr Pepper, went up to the counter, paid my bill, and left, thoroughly dispirited.

Just three more hours and I would have to face the music, so to speak. Then remembered that when I was at The Full Life Church Of Divine Peace I had forgotten to pick up my check for the work I had done there earlier. Jake would have my head on a pole if I didn’t collect the money. So, back across town I drove again. The old Chevy was racking up a lot of miles today,

Unbelievably, Pastor Masters was still recording his sermon. Something about being able to defeat the Devil through cunning and righteous indignation, delivered in the style of the good Pastor’s penchant for mixing metaphors into a practically psychedelic experience. I always felt his sermons probably made more sense if you were high.

He was leaning over the microphone dramatically. I wasn’t sure if the cameraman was transfixed, stoned, or a mannequin. I had arrived in time to hear the fiery finale: “O brothers and sisters, take inspiration from those classic stories of our youth! So come on , Jack be nimble, Jack be quick!
Jack Flash sat on a candlestick!
‘Cause fire is the devil’s only friend! Say Amen if you hear me!”

Oh my, I thought to myself, and as I watched him on the stage I wondered if, and how, he could top that. He did. Throwing his arms in the air, stepping back from the microphone, he boomed forth: “My hands were clenched in fists of rage at the works of the Devil! No angel born in Hell Could break that Satan's spell, And as the flames climbed high into the night To light the sacrificial rite I saw Satan laughing with delight....”

I think the cameraman almost fell over, and I laughed in response. Before anyone could look my way, I dashed into the hall and sprinted down to the office. Barbara was still there, and, anticipating the reason for my presence she silently handed me an envelope. It felt like a scene from The Godfather.

I smiled, thanked her, then leisurely walk back to my car. It wouldn’t start. I cranked it, and cranked it, and finally it coughed into life. I started back down the road, and turned to go pick up Owatta. Might as well get it over with, she probably won’t stay mad at me for more than a week.

Then I saw that little truck stop, and decided I put a pause there and gather myself. Looking in, I set them on at the bar, and ordered an omelette. I needed something to settle my stomach, I realized, and nothing beats a good Denver omelette. And a Dr Pepper.

“Rough day?,” asked the burly fellow sitting next to me, resplendent in his trucking sartorial splendor of a plaid shirt, well worn dungarees, and a Kenworth baseball cap. “You have no idea,” was my witty rejoinder. Given my mood it was about as witty as I could manage.

He proceeded to tell me his story, “I met a girl who sang the blues, And I asked her for some happy news. But she just smiled and turned away. So, I went down to the sacred store Where I’d heard the music years before. But the man there said the music wouldn’t play. it just wasn’t my day. When I got home after dropping my load, the whole neighborhood was in an uproar. And in the streets the children screamed. The lovers cried, and the poets dreamed.

But not a word was spoken. The church bells all were broken. And the three men I admire most: The Father, Son, and the Holy Ghost; They caught the last train for the coast.”

I muttered something about I was sorry to hear that, but things will get better. I don’t think I was much comfort.

Finishing the last bite, I got back into my car, and drove home, silently, dreading the rain of rejection I would most certainly receive.

Owatta saw me pull up, and with her usual breezy cheeriness, walked down the driveway toward me, her hands behind her back. She was wearing that wonderful yellow and blue sundress that she looks so beautiful in. Oh boy, this was going to make things so much harder.

I leaned over, and rolled down the passenger-side window, just as she walked up to the car. In one fluid motion, she brought her hands from behind her back, saying, ”Here’s your jacket, you left it here last night. Oh, and here’s the tickets, you take them. I’d rather not carry a purse tonight.”

Another Happening

It was a great party. I wish Charlotte could’ve been there. Driving back home would give me time to unwind, listen to some favorite tunes on the car radio, muse over the past few hours.

Mark's imitation of our boss was hilarious. He had it down so perfectly that you reflexively started to go back to your desk, then laughed even harder because of it.

The game was close but we lost. Again. They really need a new coach.

Tracy's stories from her latest trip had us in tears of laughter. If you didn’t know better you’d swear she was either making it up or reciting a Burns & Allen routine.

There was that one awkward moment when Tasha came up behind me, put her arms around me, and snuggled close. I stiffened. She oozed sensuality and I knew what she was offering. We both did. Tempted? Sure. But when she cooed that “she wouldn’t know” I replied that I’d know, then walked away.

The party breaks up late. The cool night breeze under a full-moonlit sky adds the perfect ending. I pause at the door to take in the bracing air before walking to my car. I almost didn't want to get in the car because the night was idyllic.

It reminds me of so many happy, spring days from my youth. I'd push my bed up by an open window so the coolness would waft over me. Our home didn't have air conditioning. That was an unaffordable luxury in those days. An oscillating table fan across the room was my only relief from summer heat. But in spring time, the nights were cool, comfortable, invigorating.

A streetlight stood at the perfect angle to let me read a favorite book late into the night. Sometimes, I'd lean back and listen to music, news, and talk shows from distant radio stations in the privacy of the earpiece of my Zephyr transistor pocket radio. It was like traveling to those faraway cities, and after many months, I'd began feel like I had visited them in person.

Joe honks his horn and waves goodbye, breaking my reverie. Paul and Yolanda say their goodbyes to me as I open the door and ease into my car, start its engine with a muscular rumble, and briskly back out of the driveway.

Driving the narrow two-lane highway back home, I give little thought to the monotonous scenery as it moves past. This stretch of the drive never changes, the same featureless woods, the same boring ribbon of asphalt, the neverending lines flashing by, the same tattered billboard advertising a furniture store long since closed. That abandoned gasoline station with the dinosaur logo.

Old houses sit back from the road down long gravel driveways, their rusted mailboxes standing at odd angles, with a clutter of broken furniture and old cars on blocks in their yards.

The predictability is itself relaxing. Mile Marker 247. Speed Limit 45 MPH. Deer crossing. County Road AA.

The railroad track crossing sign is dark, as usual, its striped arm standing as an always-patient sentry.

More featureless woods, the sign telling that the weigh station is in 5 miles. That street sign you can never read at night because half the letters are faded away and the lights haven't worked in years. The rhythmic thumps of the wooden one-lane bridge over some unnamed creek. They need to replace that, there have been so many bad accidents on it at night.

More featureless woods alongside the road. I feel slightly drowsy.

Silence.

Abrupt silence slaps me fully alert as the engine suddenly quits. A instant later, the headlight beams, the glare of the dashboard gauges, the red glow of the taillights behind me snaps into darkness, as if an invisible hand had flipped a switch.

I ease the car off onto the shoulder, the crunching of gravel under the tires the only sign of mechanical life from the car.

It stopped.

Great.

I twist the key several times, but nothing. Dead car by the side of the road. It wasn’t out of gas, it had three-quarters of a tank when I left.

I can’t sit in the car all night long, so I get out to see what’s the trouble, grabbing a 6-volt lantern from the floor behind my seat. No UFO nearby, I laugh aloud, remembering that scene from "Close Encounters" where the car dies as brightly-lit UFOs arrive.

As I open the hood, a heavy sense of dread envelopes me. Looking around, I see the woods alongside the road by me, entirely in shadow, a blackness far darker than it should. I tell myself it’s merely a trick of the eye. A creation of the stark contrast between the bright full-moon shadows etching the shapes of distant silos on the other side of the street and the Stygian tree line.

I couldn't shake the uneasiness. The fear. Rebuking myself, I sigh. See, there’s nothing to fear here. What was it that Franklin Roosevelt said? “We have nothing to fear but fear itself.” Indeed.

Reaching back into the car, I open the glove box and reach inside for my pistol, tucking it into my pants behind me, pulling my shirttail over it. I ruefully reflect on the first instinct of people in a mindset of fear: grab a deadly weapon.

Returning to the open hood, I carefully lean over the engine so that I can better see my surroundings. Battery cables okay. No leaks I can see. The engine smells okay, nothing burnt or reeking of gasoline. Oh boy, no one will mistake me for an auto mechanic. Never was any good at fixing automobile engines. This wasn't getting me anywhere, time to find help.

I remembered that just up the road, about a mile, is that little diner where Charlotte works. She‘s there tonight because Julie called in sick. That put a spring in my step, the thought of seeing Charlotte now instead of later this morning after she got home.

It was still going to end up to be a good night.

If Steve was there, he could probably fix my engine. Nothing else, I'll hang around the diner until Charlotte’s shift ends, then get a ride home. I could use a coffee and a slice of one of Muriel’s pecan pies. Then tomorrow I’ll get a tow truck to take the car to Fessenden’s garage.

I grab my jacket from the backseat, close the door, and lock it. Then, picking up the lantern, I head down the road toward the little diner.

After a few minutes' walk, I hear an unearthly silence. Looking around, I stand on a gravel driveway that leads through tall grass to a chain link gate, rusted, overgrown with vines, and secured with a heavy chain and padlock. Shining the lantern onto it reveals a sign that declares, “Keep Out - No Admittance - Strictly Enforced - Deadly Force Authorized”, made more ominous by its faded lettering and peeling paint. Several small holes (bullet holes?) emphasize the mood.

I remembered this place. The old timers speak of it in hushed voices. Secret government laboratory, military base, abandoned after a horrific accident. Or something like that. But some say it’s still active. Genetic experiments, others say.

The Chesterfield boy and his girlfriend disappeared near there last summer. What was her name? Ruth? The sheriff found his car alongside the road, with a dead battery. They asked a few questions then filed the case away. Missing couple. Another photo for a milk carton. Abducted for sinister purposes by the government, according to the conspiracy buffs. More likely? They walked back to her house, got her car and blew town. Neither of them could wait to leave. He always talked about heading to New York to study art, she wanted to become an actress on Broadway. Typical dreams of teens stuck in a small town.

I resume my walk to the diner. Despite the late hour, everything seems brighter yet still dark. Slowly I became aware that colors are different. Shifted? Pale blues and greens, no sense of reds. Still the unearthly silence.

I glance at my watch. Four hours have passed. I stand there for almost four hours? Not possible. I’d just paused for a moment.

The suddenness of the sounds startles me. High pitched whine, deep rumbles more felt than heard. The gravel under my feet like sizzling steak. Odd. Yet as I listen, the more abnormal the sound, the more it sounds correct.

The grumbling wind blew the wires alongside the road. They creaked. I hear the hum of electricity flowing through them.

A cymbal-like chatter pierces the night. Woodpecker. That’s not what a woodpecker sounds like, yet it did sound right. A mosquito flew by, screeching. Moths howled as they circled a streetlight.

Frogs make their ratcheting trill, which ululates like an organ pipe.

The subsonic barking of a dog punctuates the surreal symphony as a distant freight train’s air horn whistles like a teakettle. Overheard a jetliner’s piccolo note is barely perceptible.

It is all wrong, yet exactly as it should be.

I break into a run, breathing heavily. The lantern falls out of my hand. I don’t stop to pick it up, and run even faster. After a moment I see the back of the diner, and stop, gasping for air, my hands on my legs as I leaned over.

A door opens. I see Charlotte, carrying a sack over to the dumpster. She looks great, even in that green-and-white waitress uniform. A blue scarf ties her blonde hair into a ponytail, as usual. Relieved, I stand up, straightening my shirt, and briskly walk toward Charlotte. I call to her, waving. She pauses, her back to me, tosses the sack into the dumpster, then turns around.

Charlotte screams.

Sheriff Turner stands by an abandoned car, dead battery, with no belongings evident. Nearby, a radio voice raps a monotone report of a missing person, female, blonde, twenty-six, slender, five-foot-four....

The Canyon

I awoke.

Grogginess slowly cleared from my mind. I looked around. A deep, angular canyon wound jaggedly for as far as I could see in either direction. The walls sloped away at a 45° angle. Every so often, an enormous boulder clung precariously to the wall of the canyon.

I try to determine in what direction the canyon traveled by looking at the angle of the sun. But this proved an impossible task. Bizarrely, the sun spun continuously overhead like a disco light. Worse, the light was a strange color. Not the warm yellow we're accustomed to, but a garish, harsh light.

As my eyes grew accustomed to the light, I saw that my canyon was a uniform black color. None of the strata, the variegated colors you often see in canyons, but a faceless, monotonous, black. Black. No other color. Just black.

So I was faced with a choice. Climb out of the canyon, or walk along it until I found another way out. I thought perhaps it would be quickest to climb out of the canyon.

As I began to climb, I was presented with the strangest sensation of all. The canyon walls felt, for all the world, like plastic. Despite the 45° slope, the canyon walls were slippery. There were no projections, no footholds. This was going to be a tough climb.

So, I stopped and once again stood at the bottom of the canyon.

As I stood pondering what to try next, I began to hear a distant rumbling. Before long, the rambling became distant, muted music. It was music from a classic album that had been popular in my youth. I smiled, because I had enjoyed that album.

That settles it, I would follow the canyon to the source of the music. That would bring me to civilization.

So, I slowly walked off toward the sound of the music. Walking proved to be tedious, as I often had to step over or around boulders at the bottom of the canyon. The slippery floor of the canyon didn't make matters easier either. Worst of all was the constantly undulating path of the canyon. It was as if the creator of this place abhorred the concept of a straight line or a gentle curve.

As I walked, the loudness of the music grew. Perhaps it was my imagination, but it seemed that the music was growing louder too quickly.

The music was loud now, but the source of the music was not in sight. I continued to walk toward the music. But with each step, with each instance, the music grew ever louder. Soon, the music was unbearably loud. Still, the source of the music did not come in the view. And still the music grew louder, becoming literally painful to hear.

I sank to my knees, overwhelmed by the power of the music. My hands over my ears, nothing could withstand the unimaginable loudness of the music.

I felt a breeze, and my body began to vibrate in sympathy with the music. I looked up in time to see it.

Racing down the canyon toward me was an unimaginable sight. A smooth, colorless mountain, upside down, descended from the sky. Its tip rested against the walls of my canyon perfectly, creating the illusion that the upside down mountain was traveling along the canyon walls.

But it wasn't an illusion. The upside-down mountain was indeed riding along the walls of my canyon, rushing headlong toward me.

Nothing could stop it. The upside-down mountain was nearly upon me.

I froze.

I screamed. My scream was inaudible to my ears, consumed by the solidity of the music.

Meanwhile, John was enjoying his favorite music on a vinyl LP. He smiled with satisfaction. It wasn't just the music. And it wasn't just the superlative sound. It was the accomplishment of setting up the delicate turntable and its fiddly adjustments.

John leaned forward. He heard something in the album that he had never heard before.

A scream.

He had never heard a scream in that particular track before.

Concrete

The concrete never forgets
when dreams became screams
and the hopes of souls
became its stains.

Tales Of A Cynical Recording Engineer: Episode 1

What The Engineer Is Really Thinking: Okay, so you scream your profanity-laced vocals so loudly that the microphone overloads, you have so much distortion on your guitar that no one can tell which note you’re playing (which is just as well because you can’t play); your bassist plays each string open then slaps the twelfth fret to “show off his chops,” and your drummer is an epileptic who has grand mal seizures all over his drums — and thinks he’s Phil Collins afterwards.

Meanwhile, the drummer couldn’t keep time if you glued him to a metronome — he keeps getting ahead of the beat — the bassist is so strung out he has no idea where the beat is, the guitarist is ignoring everyone and just doing his own thing, and the vocalist is under the delusion he’s the front man.

Tales Of A Cynical Recording Engineer: Episode 2

Don’t worry, we’ll fix it in the mix.”

What The Engineer Is Really Thinking: You suck, you’ll never get it right, if I hear another sound out of you then I’m going to club you senseless with a 664. I guarantee no jury would ever convict me once they hear the tapes. They’d rule it self defense. No worries, I’ll hire studio musicians to re-record your album. It’s cheaper than burning up untold hours of valuable studio time in fruitless attempts to wring a halfway decent take out of you. Then I’ll let you actually think it’s you on the finished recording. Afterward, when you congratulate me for “fixing” your mix, I’ll smile and say, “I’m a professional.”

Tales Of A Cynical Recording Engineer: Episode 3

What The Engineer Says To The Band: “Oops, the [console/tape deck/some other piece of equipment] just crashed. We’ll have to call it a day.”

What The Engineer Is Really Thinking: You suck beyond belief, I can’t take it anymore. I have a migraine nothing short of decapitation will fix. Thanks to you, I now hate music. Get out. Now. Please. The money no longer matters. Calling you a waste of time is an insult to wastes of time. Hopefully, you’ll decide to take your business elsewhere. I’m actually tempted to refund your money, then put all my microphones on a bonfire and dance around the flames chanting something in Latin that sounds vaguely Druid.

Demonic Trees

Demonic trees are shading my sanity.
It’s like watching an episode of Sean Hannity.
Twitter surrounds me with inanity,
Social media raises my acidity.
Rage and peace seek coequality.
Let the music play.

Tips For Drummers

DReplace modern drum hardware. Use vintage hardware or exact replica modern hardware. Why? Vintage hardware is made from lighter gauge metals which allow more resonance and liveliness from the drum shell. Modern hardware tends to deaden the shell.

Set your high hats, cymbals, rides and crashes at the same height. Whenever possible. This reduces phase problems that arise because of the short wavelengths involved. You’ll be amazed how much cleaner and detailed they’ll sound, especially in recordings.

If you’re using more than three microphones, you’re wrecking your sound. Guess what microphone companies are interested in doing? Selling microphones! Those “Drum Mike Kits” are a way to sell you five or more microphones, not a way to get you the best sound. Position one microphone to your right, at ear level, aimed toward the toms (assuming toms on the right), and spaced at a distance that you can just touch it with your stick with your arm straightened. Position the second microphone on your left in the same manner, except aimed at the snares, assuming snares are on the left. The third microphone goes on the kick. Two large diaphragm condenser mikes are ideal for left/right microphones, as well as the venerable Shure SM81 or AKG C451/C460 series. The best microphones for kick drums are flat response large diaphragm dynamic microphones, like the Sennheiser MD421U or ElectroVoice RE20 (not the RE27 or RE320). Alternatively, three Crown PZM6D create a stunning 3D-like presentation, especially for jazz, blues, and folk bands.

Vintage Audio Slang

Unlike the sometimes pretentious terminology of today's audiophiles ("interconnect" instead of cable), decades ago the audio industry was replete with some colorful nicknames and slang. Here are some of the more interesting examples that I have encountered over the years.
1. Boxcar: a phono cartridge. The name is taken from the shape of most models made during the 1960s and 1970s. Take a look at the ADC 10XE, Shure M44E or most of the ceramic cartridges fitted to budget record players.
2. Anteater: the Ortofon Concorde Photo cartridge, the name derived from its shape which resembles the long snout of the animal.
3. 8-Ball: Western Electric 630 Microphone, because of its shape, black color, and the white circular plate mounted in front of the microphone element.
4. Glow Bottle: vacuum tube; The coining of the nickname is attributed to loudspeaker pioneer Paul Klipsch.
5. Squawker: a loudspeaker horn midrange, ironically referring to those used in high fidelity loudspeakers.
6. Salt shaker: Altec 633A microphone, so named because of its resemblance to the common table salt dispenser.
7. Skunk: RCA MI-3043 (KU-2A) ribbon microphone, the name arising from the wide white stripe painted on the rear of the microphone casing.
8. Dirty Pictures: design sketches, usually for new equipment. The term has been attributed to loudspeaker legend Paul Klipsch.
9. Dipper: A type of recording studio graphic equalizer in which each of the bands only attenuates their frequencies and does not boost them.
10. Buchanan Hammer: the Electrovoice 664 microphone, named because the Electrovoice company is headquartered in Buchanan, Illinois; and the microphone itself is extremely ruggedly made. At some trade show demonstrations of the microphone, the presenter would use a 664 to hammer a tenpenny nail into a common two-by-four. The microphone, afterward, would be plugged in to a PA system -- thereby vividly demonstrating that the microphone still works despite severe abuse.
11. Elvis: the Shure 55 microphone, inspired by the appearance of the microphone in a famous photograph of Elvis Presley. Interestingly, he seldom used the microphone as he did not like its sound quality. He's more often seen in concerts with various models of Electrovoice and Altec microphones.
12. Pig bag: Bag for keeping cable snake fantails together to protect them during storage or transport.
13. Donnie & Marie: an excessively ornamented wireless handheld microphone. Inspired by the sometimes tacky, excessively sequined costumes worn by Donnie and Marie Osmond, a popular music duet of the 1960s and 1970s known for, and occasionally mocked for, their generically wholesome public image.
14. Bellow and Holler: a 16mm Bell & Howell movie projector of the type usually found in schools. The name is an onomatopoeic imitation of the atrocious sound quality of the projectors, as well as being a pun on its brand name.
15. Mouse: A means of mounting an omnidirectional microphone, most commonly a dynamic type such as the Electrovoice 635A, on the floor or on a tabletop using acoustically transparent foam, for the purpose of exploiting the boundary layer effect to improve the clarity of distant sounds picked up by that microphone. Most commonly used in stage and interview microphone technique. Also, the microphone mounted by said means. The microphone mouse was a predecessor to the Crown PZM and other boundary layer microphones.
16. Whistler: a Revox A77 series reel-to-reel analog tape recorder, because of the tendency of its capstan motor to emit a slight whistling sound during operation. The sound is caused by an inductance pickup mounted adjacent to a cog milled into the circumference of the capstan motor that forms part of the speed control circuitry.
17. Bing Crosby: an Ampex 600, 601 or 602 model tape recorder, because the reknowned singer made the tape recorder famous in a series of advertising endorsements.
18. Grasshopper: Wollensak brand of cassette or reel-to-reel tape recorder sold for the educational and audiovisual markets. The name is derived from Wollensak's rather garish green color that suggests a grasshopper, as well as the unpleasant sound quality attributed to most models.
19. Whirligig: The rotary mechanism within a Leslie loudspeaker cabinet.
20. Fox and hound: originally, it was the combination of a signal generator and a signal tracer used to help a technician identify a particular wire or cable pair within a larger bundle of wires or multiconductor cable. The name is now a registered trademark of Triplett for their line of such test equipment.
21. Cricket: special signal generator that emits a series of pulses, usually within the auditory range; also, a small electronic device, usually assembled from a kit, that emits a series of noisome chirps and that is made as a prank or a nuisance.
22. Grumbler: an electric motor that has severely worn-out bearings, causing a low-pitched vibration when the motor is running.
23. Oscar the Grouch: see Grumbler above. Derived from the name of an irascible character in the Sesame Street television program.

I’m Out Of LinkedIn

LinkedIn, in its laughable “community standards” expresses that it seeks to “protect” the “community” from “misinformation”, or “hate speech.”

Oh really?

I assume that we’re all professionals here. Let me ask you two questions:

1) Do you need to be “protected” from “misinformation”? If so, may I respectfully submit that you lack the knowledge and discernment to be a professional.

2) Do you need to be protected from “hate speech“? If so, may I respectfully submit that you lack the maturity to be a professional.

LinkedIn’s stated community standards are not community standards.

Why?

Because they are not applied objectively, neutrally, and equally. What LinkedIn refers to as community standards are actually a set of vague rules that can be easily interpreted by LinkedIn, as they wish, to suppress and punish those who hold political positions that LinkedIn doesn’t want to allow.

Terms such as “misinformation” and “hate speech” are open to interpretation. LinkedIn uses these terms to legitimize their partisan application of the so-called community standards.

By the way, I have seen LinkedIn promulgate misinformation. But of course, they won’t acknowledge that but instead falsely label dissent as misinformation. Indeed, LinkedIn routinely labels opinions as misinformation.

Two final thoughts.

1) LinkedIn is free to ban me if they will, it’s their prerogative. I almost hope they do, it will prove my point.

2) The English language lacks the vocabulary for me to properly, without resorting to profanity, the full extent of the low regard with which I hold their partisan abuse of the so-called community standards, and the individuals who enforce them.

If this post offends you, please understand that I am unmoved; I would encourage you to block me in that case for your personal benefit. This post is my considered opinion, offered without malevolence, borne out of my frustration with LinkedIn. I will be curious to see if LinkedIn feels the need to censor my opinion.

Time Travel

OK, so here is the problem. Light travels 1 foot in approximately 1.02 nanoseconds. Sound travels 1 foot in approximately 0.8966 milliseconds. Therefore, we experience our lives perpetually in the past. We perceive nothing we hear or see at the exact instant that it occurs.

If we travel forward in time so that we see someone standing 1 foot away from us instantly, in actual real time, then we would still hear the sound delayed, meaning we would still hear the sound from the past.

If we travel forward in time so that we hear their sound at the exact instant it is created, then we could not see the person at all, because the light would not yet have been reflected.

I am so traumatized.

Email me at: triodelicacy@gmail.com